Visions of the City; Utopianism, Power and Politics in Twentieth-Century Urbanism
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- Babies In Bottles: Twentieth Century Visions Of Reproductive Technology .
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Bibliography Includes bibliographical references p. Fueled by rapid advances in reproductive medicine and the desperate desires of millions of would-be parents, the acquisition of children--whether through donated eggs, rented wombs, or cross-border adoption--has become a multibillion dollar industry that has left science, law, ethics, and commerce deeply at odds.
In the News: Reproductive Technology | On & Off the Shelf
In The Baby Business, Debora Spar argues that it is time to acknowledge the commercial truth about reproduction and to establish a standard that governs its transactions. In this fascinating behind-the-scenes account, she combines pioneering research and interviews with the industry's top reproductive scientists and trailblazers to provide a first glimpse at how the industry works: who the baby-makers are, who makes money, how prices are set, and what defines the clientele.
Fascinating stories illustrate the inner workings of market segments--including stem cell research, surrogacy, egg swapping, "designer babies, " adoption, and human cloning--as Spar explores the moral and legal challenges that industry players must address. The first purely commercial look at an industry that deals in humanity's most intimate issues, this book challenges us to consider the financial promise and ethical perils we'll face as the baby business moves inevitably forward.
At the Metropolitan Museum he has been responsible for a large number of exhibitions, including the acclaimed Venice and the Islamic World, His publications include authoring and editing several exhibition catalogues, among which are Glass of the Sultans ; the prestigious Barr Award winner The Legacy of Genghis Khan.
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- Scenes of Childhood, Op. 15, No. 8: By the Fireside.
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Ted Snell was born in , at Geraldton, Western Australia. After completing an Associateship in Art Teaching he travelled to England to undertake postgraduate study in Birmingham.
He has been a commentator on the arts for ABC radio and television and is currently art reviewer for The Australian and a regular contributor to local and national journals. He has published several books and has curated numerous exhibitions, many of which document the visual culture of Western Australia. Ted Snell is also a visual artist and since he has shown his work in solo exhibitions in Perth, Melbourne and Brisbane, and in numerous group exhibitions.
His work is represented in many public and private collections, including the National Gallery of Australia, the Art Gallery of Western Australia and Artbank.
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